To be a dramatic soprano! With big bosoms, big pigtails, viking helmet, chain-mail skirt, and a nice, long spear! Well, not quite, because some of us are altos and tenors and basses, but it would not surprise me in the least that there are some wishing desperately to be a soprano at least for a day (present company NOT included!). There is nothing more thrilling, or conquering to any singer than to be able to blast your way through a Strauss or Wagnerian orchestra with ease, and walk away knowing that not even the brass section to drown you out! I am sure that the likes of Birgit Nilsson, Ghena Dimitrova, Eva Marton, Jessye Norman, Dame Gwyneth Jones, and Kirsten Flagstad enjoyed many triumphs with these orchestras, rubbing their hands in glee, planting themselves in their midst, taking in a deep breath and just letting it RIP! It is a sort of game as it were, of ‘anything you can blow, tinkle, smash, or in any other way aggress upon, I can sing louder!‘. Each of these rather ‘Reubenesque’ ladies has had the privilege of being desperately accoutred in some kind of WAGNERIAN paraphernalia, replete with a good battle-axe.
I know that for me, there are days I wish I were a Heldentenor. I think every tenor has that wish at least once. Heldentenors are basically baritones with high notes. They are able to get the heft of the chest voice into the upper register. Such examples are Ben Heppner, Lauritz Melchior, and Peter Hoffmann, all of whom have had, or are still having wonderful operatic careers. At least in one of those operas, I too would have been desperately accoutred in some kind of armourwear, and would carry a big sword, and not one of those puny little rapiers that Don Ottavio gets to carry in Mozart’s Don Giovanni. But alas, I am not a Heldentenor. Actually, think I have had a personal breakthrough in the last few weeks. I used to (and every now and then, this becomes an issue that I will always deal with for the rest of my life) obsess about not projecting, or being loud enough, to be heard on stage. Thanks to all of my teachers, over the years, my projection powers have been safely increased due to the application of a good vocal technique. I figured that if I were a dramatic tenor, then I would be able to be heard without issue. At least, in my mind. But lately I have been finding a lot of joy and even comfort in being a lyric tenor. My voice is developing into a resonant full lyric tenor sound, and with that, I am learning to go to the extremes of vocal colour, range, and even dynamics. I am getting braver, and am daring to do high notes at mezza voce (i.e. piano and pianissimo), and trusting that my voice will be OK. I am learning that when I let go of the tension that I think is helping (and it is not) the voice says, “See? Now if you would only just get out of my way and let me do my job, we would not be having this conversation!” And yes, my voice does talk to me, and it talks back too. It is rather cheeky and does have a diva-like attitude. It likes to be wrapped in mufflers, loves mint tea, and Swiss chocolate (that is one of the only links to why we get along!) and abhors colds and the burning of tobacco! However, it does have a tendency to decide when it will and when it will NOT co-operate! In other words, it is fickle. To put it even more bluntly, it is like some sopranos! Plus, as a lyric tenor, I can continue to safely keep the very high notes that I have got. As of today, on a good day I can sing (in full sustained voice) up to a high F. That is one octave above middle C and the F above that. I have only performed up to a high E-flat in performance, as there is hardly any music with a high F for tenor…well..there is Puritani by Bellini, but that is another story for another time. I also have coloratura abilities which allows me to really enjoy the music of the bel canto school! Long story short, I am learning to project the lyric voice that I do have.
For those of you reading who are singers, I would like to say this. Enjoy the voice type you are! I am learning this. Dramatic singers for the most part cannot manipulate their voices as easily and as fast as those with light coloratura abilities. I will never know what it will be like to be a baritone, nor do I need to. Baritones and basses are voices which, in my opinion, provide a solid underpinning to the rest of us higher voices. They are voices with substance! God knew what he was doing when he created difference voices with different sizes. So I, as a lyric tenor, desire to enjoy the voice given to me, and my task is to continue to learn to use it in the way it was meant to be used. Trust me! Even voices as small as soubrettes have played some of the most powerful characters on the stages of the world, so be encouraged. I know I am.
Moi